By Kendra Preston Leonard,Rhonda V. Wilcox,Jacqueline Bach,Elizabeth A. Clendinning,Steve Halfyard,Amanda Howell,Eric Hung,Linda Jencson,Cynthea Masson,Jeffrey Middents,Matthew Mills,Stanley C., II Pelkey,Christopher Wiley
Kendra Preston Leonard has accrued a various number of essays that discover song and sound in Joss Whedon's works. The essays examine either diegetic and non-diegetic song, contemplating track from a variety of resources, together with the exhibits' unique rankings, song played by means of the characters themselves, and tune contributed by means of such artists as Michelle department, The intercourse Pistols, and Sarah McLachlan, in addition to classical composers like Camille Saint-Saëns and Johannes Brahms.
The methods include ancient and theoretical musicology, feminist and queer musicology, media stories, cultural heritage, and interdisciplinary readings. The publication additionally explores the compositions written via Whedon himself: the subject song forFirefly, and absolutely built-in musicals, the Buffy episode "Once extra, With Feeling" and Dr. Horrible's Sing-Along Blog. With a number of musical examples, a desk with an entire breakdown of the Danse Macabre scene from the acclaimed Buffy episode "Hush," and an index, this quantity might be attention-grabbing to scholars and students of science-fiction, tv, movie, and well known culture.
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Additional resources for Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon
Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon by Kendra Preston Leonard,Rhonda V. Wilcox,Jacqueline Bach,Elizabeth A. Clendinning,Steve Halfyard,Amanda Howell,Eric Hung,Linda Jencson,Cynthea Masson,Jeffrey Middents,Matthew Mills,Stanley C., II Pelkey,Christopher Wiley